I mentioned in a previous review that the whole genres as a marketing tool is very annoying to me. Imagine my surprise when I looked at the information for this release and saw that it marked ”indietronics”. I seriously wish we could put an end to the genre as a marketing method madness. Okai? Thx. Okay, setting aside my …
The immediate thing I noticed when I started listening to Japanese Rivers is that the instrumentation doesn’t sound very Japanese. Personally, I think of the Fue (Japanese flutes), Shoko, and Koto and numerous other percussion and stringed instruments, when I think of Japanese music instruments. Of course, that is my predilection for classical or traditional …
When I started this site I wanted it to be a brain dump. More about the jumps between thoughts, and the non-apparent connections between those thoughts. Then I started reviewing stuff, and writing music reviews. They consumed the site. Then I started CerebralMix Pod/OggCast and it consumed the site. Went on this way for most of …
Introduction I wrote a quick article last night listing several open source alternatives to Google Reader, after the announcement that Google plans to drop the application in July of this year. There was an fairly active conversation on Twitter about this for about 24 hours, which I found myself following and responding to… In fact, …
NOTE: The feeds for The CerebralMix are changing. Please see the sidebar for the new feeds. The current feed will be discontinued in a few weeks. Download: OGG Download the FLAC from the CerebralMix Internet Archive collection. CerebralMix Episode 19: Soft Phases Table of Contents Introduction Track Credits Show Credits Closing Note Introduction Welcome to …
NOTE: The feeds for The CerebralMix are changing. Please see the sidebar for the new feeds. The current feed will be discontinued in a few weeks. Download: OGG Download the FLAC from the CerebralMix Internet Archive collection. CerebralMix Episode 18: Fantastic Alternate Universes Table of Contents Introduction Track Credits Show Credits Closing Note Introduction Welcome …
